How Much Mac Ram Do I Need For Adobe Photoshop Cc 2018?

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Every single day, I see posts asking how to choose a new computer for Lightroom. We’re not going to go into specific hardware recommendations, because they’d be out of date almost immediately. (If you want specifics, Puget Systems are doing regular testing.) What we will do is talk about which hardware benefits different Lightroom tasks, so you can make your own decisions based on your needs and budget.

Adobe publishes system requirements for Lightroom, but we should be clear… these are MINIMUM system requirements. They allow Lightroom to run… well, it’ll walk. If you want to enjoy using Lightroom, you’ll definitely want to exceed these minimum requirements. Your hardware needs depend on how many photos you’re editing each week, the size of the images you’re shooting, the amount of time you have available and let’s be honest, your tolerance for slow computers.

CPU

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There are two primary factors to weigh up when selecting a new CPU: the number of cores on the single CPU (two physical CPU’s don’t help much) and it’s clock speed.

Lightroom makes good use of multiple cores for image processing tasks such as building previews, working in the Develop module, and exporting photos, so it’s worth selecting a quad-core processor if possible, even though other areas of the program are only lightly threaded.

A high clock speed (measured in GHz) is equally important, as it determines how quickly computations are made, not only for image processing tasks, but also all of the other tasks Lightroom has to perform.

The release date of the processor also affects performance. The clock speed isn’t a perfect comparison, because the manufacturers have been working hard on efficiency, so a recent 3.0GHz processor is much faster than a 3.0GHz processor released 10 years ago.

So if you can’t trust the clock speed for comparison, how do you figure out which CPU is faster? One easy way to compare is to check the Geekbench scores for both Windows and Mac – you’re looking for the 64-bit Single and Multi-Core scores.

Need a rule of thumb? If you’re looking for a new CPU, a recent generation Intel quad-core desktop processor with a fast clock speed is a great choice. For a high end machine focused primarily on editing, a six-core CPU is also a good choice, although they’re a little more expensive and often have a slightly slower clock speed.

Memory (RAM)

The operating system, open programs and their data are held in RAM. The more data you’re working with, the more RAM you need. If you don’t have enough RAM, some of the data has to be written to the hard drive, which is much slower.

Like most image-editing programs, Lightroom works with large amounts of data, so it needs more RAM than, for example, a word processor. The amount of RAM available affects how many photos can be cached, which can affect image loading time. Some tasks, such as merging panoramas and HDR files, are particularly memory hungry.

Although Adobe lists 4GB of RAM minimum, you don’t really want any less than 8GB. 16GB is a much better choice for most users, especially if you’re buying a quad-core processor.

If you’re running other programs at the same time, perhaps switching to Photoshop, you may need additional RAM.

A tip – if you’re buying a desktop Mac (not a laptop), it’s much cheaper to buy the extra RAM from OWC (US) or Crucial (International) and install it yourself, rather than paying the Apple premium. Minimal computer knowledge needed!

Hard drives

The speed of the drive that holds the catalog and previews makes a fairly substantial difference, especially in the Library module and also for startup times. This is where an SSD really helps, and therefore it’s the first thing I’d put on my shopping list. This is an upgrade that can be beneficial on existing systems, as well as new builds.

Bear in mind that the catalog and its previews – especially if you’re building 1:1 and/or smart previews – can grow quite large. For example, my 50k catalog is currently 1.6GB, the previews are 70GB and the smart previews take up another 50GB.

Next, think about where the images will be stored. The access speed primarily affects the loading speed in the Develop module, although with the Develop pre-caching introduced in Lightroom CC 2015.6 / 6.6, it’s less of an issue than earlier versions. In an ideal world, you’d put the original photos on an incredibly fast drive such as an SSD, but the cost per MB is still quite high. For most users, a 7200rpm internal or fast external drive is adequate for storing photos, but if you need greater speed, a striped RAID is a cost-effective solution.

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Also, if your photo storage drive is external, think about connection speed. Even the fastest SSD would be horribly slow in a USB1 external enclosure! If you need to use external drives, look for USB3 or Thunderbolt connections if your computer supports them. The photos can be stored on a NAS (network accessed storage), but the connection speed can be painfully slow, so NAS units are better suited to backups.

Maximum Transfer Rates (theoretical)

Don’t forget your backup drives. You need a minimum of one backup drive kept onsite, plus some kind of offsite backup, whether that’s an additional drive held at a different location or an online backup such as Crashplan.

As an example configuration, you could choose a good-sized SSD for the operating system and Lightroom catalog/previews, and then a second reasonably fast drive to hold the photos (plus additional backup drives, of course).

While we’re thinking about hard drives, remember to leave the operating system and Lightroom space to work. Aim to keep at least 20% free space on your boot and catalog hard drives.

GPU

When deciding on the GPU or graphics card, think about the resolution of the monitor you’ll be using. A standard HD screen (1920×1080) is 2 megapixels (MP), a MacBook Retina Pro 15″ is 5 MP, a 4K display is 8 MP, and a 5K display is a whopping 15 MP. This means that Lightroom has to calculate and display 4 times as many pixels on a 4K display, compared to a standard HD screen, and nearly 8 times as many on a 5K display. This is why Lightroom slows down on big screens!

Lightroom can use the GPU in place of the CPU to accelerate Develop rendering on high resolution screens – most notably, 5MP and up (e.g. Retina, 4K and 5K displays). To take advantage of this, you need a mid-range graphics card, with 1-2GB VRAM (ideally 2GB) and Open GL 3.3, released in the last couple of years. It’s also worth checking Adobe’s support page, to see which cards are not supported, due to issues with their drivers.

On lower resolution screens (e.g. standard HD), there is usually no benefit to utilizing the GPU, and can actually make Lightroom slower, because it takes time to pass the data from the CPU to the GPU. Using older and under-powered GPU’s can also be slower than leaving it disabled in Lightroom’s preferences.

If you’re using integrated graphics, such as the GPU in many laptops, bear in mind that they share the computer’s RAM, so the more RAM, the better. For example, if you’re buying a 13″ MacBook Pro, which isn’t available with a separate graphics card, then it’s definitely worth getting 16GB of RAM, as the graphics card will need a chunk of it.

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It’s also important to keep the graphics card driver up to date. To do so, check the graphics card manufacturer’s website (Windows) or the App Store (Mac).

Desktop vs. Laptop

Unless portability is essential, a desktop computer is usually a better choice for Lightroom. There’s only a limited amount of space in a laptop, so everything has to be smaller. This means most laptops have slower mobile CPU’s, less RAM, and are reliant on slower external hard drives for storage. They’re also much more difficult to keep cool due to the lack of space, and when components get hot, they slow down. There are, of course, exceptions: performance laptops are available, but they come at a premium price.

Interaction & Budget

The final thing to remember is that all of these hardware components interact. The fastest CPU in the world won’t help if your hard drives can’t transfer the data quickly enough. Having 32GB of RAM won’t help if your CPU is incredibly slow.

There are also budgetary considerations to weigh up. If you’re buying a new machine with a limited budget, $400 for a minor clock speed upgrade on a CPU would be better spent on an SSD, or on 16GB of RAM instead of 8GB, because you’ll get a bigger performance boost for the money.

Upgrading Existing Computers

If you’re considering upgrading components of your existing computer, think about what specifically is slow. Slow catalog loading and Library updates may benefit from installing an SSD, but the SSD will have less of an impact in the Develop module. Replacing the GPU will only help in the Develop module, and even then, it’ll only help if you’re running a high resolution screen.

Also check Resource Monitor (Windows) / Activity Monitor (Mac) to see where you’re hitting your computer’s limits. For example, if you’re running out of RAM and using virtual memory, then adding additional memory may help.

Next week, we’ll move on to discussing general system maintenance that can help keep your computer – and therefore Lightroom – running smoothly.

Adobe for mac 10.4. Oct 04, 2011  Re: Adobe Reader for Mac OS 10.4.11 Nodgerelli Mar 10, 2011 2:05 PM ( in response to karanmalik ) Thanks all for your replies.

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As a photographer, whether it be professional or hobbyist, you have several skill sets to juggle and many hats to wear; you’ll need to be an artist when composing your photo’s scene, technically proficient with your camera and settings, and in the case of professionals, an adept businessperson who can maintain a business and satisfy clients consistently.

One of the most important roles you play as a photo enthusiast is that of image editor. Rarely do our images come straight out of the camera exactly as we had envisioned, so before release we are required to put our shots through the post-processing phase; this is where our raw photos are enhanced, adjusted, toned, and sharpened to give us the final image we want to deliver.

Although we have many tools at our disposal these days to help us through this phase of processing, the industry juggernaut has undoubtedly been Adobe Photoshop since its first version’s release in 1990. The software has been used by amateurs and professionals alike year after year, and is considered an essential part of most photographer’s toolboxes.

Through the following years, and the popularity surge of digital photography, Adobe realized the need for a tool more targeted for photographers, and in 2007, released Lightroom. This workflow-centric and management software has become incredibly popular in its own right, and maintains a massive following in today’s industry.

So the obvious question is, as a photographer, which software package do you need? Both titles are excellent and carry their own strengths and weaknesses, so let’s drill down and examine them in a bit more detail to discover which one is right for you!

What we require in post-processing software

Rarely do we get a perfect result in camera that allows us to bypass the post-processing workflow, and even then, some editing is almost always required to prepare the photo for different mediums.

Generally, photos will need to be altered in size, adjusted for exposure and contrast, edited for blemishes or other imperfections, and possibly toned or have their appearance altered through filters, presets or other means. The file then needs to be exported in its final format, ready for the client, printing, or for web use.

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Photoshop’s strengths

  • Pixel-level editing – images created or opened in Photoshop are comprised of pixels, which are the small physical points in a raster image, and are the smallest addressable elements in a photo. The software allows for editing even at this tiny level, meaning limitless manipulation is possible. Raster and vector images can be created from scratch.
  • Layers – Photoshop allows for multiple layers to be stored within a master file, meaning that you can keep different images or edits on separate layers, and then hide, modify or enhance any of those layers independently.

    Photoshop’s layers

  • Actions – an extremely useful feature, actions allow manipulation steps to be chained together and recorded, letting you recreate an entire editing process with a click of the mouse.
  • Compositing and blending – because of the ability to layer components within an image, it is possible to blend those layers together in unique ways. Masking allows you to protect specific parts of the photo from any adjustments being made down to the pixel level, simply by painting out the area you’d like to keep.
  • Huge toolbox – each progressive release of Photoshop seems to bring more and more useful tools into the mix. From content-aware filling, reducing camera shake effects, photo filters, and automatic panoramic image stitching, there is a tool for almost every task a photographer would need.

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Photoshop Actions

Photoshop’s weaknesses

  • Steeper learning curve – with great power comes… a steep learning curve. Although you have a massive array of tools at your disposal, mastering them is something that takes time and practice.
  • No built-in RAW editing – unlike Lightroom’s native ability to manipulate RAW files directly from your camera, Photoshop must rely on a plugin like ACR (Adobe Camera RAW) or something similar in order to import and modify these files.
  • No image management – Photoshop is built from the ground up to be a powerful image creation and editing tool. Although there are batch import and export tools available to make some aspects of the process easier, there isn’t a fully-recognized built-in management or workflow system for photographers.

Adobe Camera Raw must be used for processing RAW files in Photoshop

Lightroom’s strengths

  • Built-in RAW editing – no plugin required! Lightroom natively accepts RAW files straight from your camera, and allows all of the editing you’d expect from within the software.
  • Image management and workflow centric – Lightroom was born from the desire to give photographers something better to manage their photo libraries with. The entire program is based on creating a solid, consistent workflow that will help you make the most of the post-processing phase.

    Lightroom’s image management system

  • Simple and easy to use – since Lightroom doesn’t have the huge toolbox found in Photoshop, there is MUCH less to learn. Everything from the tools available, to the interface itself, is simple and easy to manipulate.
  • Presets – a photographer’s dream; imagine having the ability to string together exposure levels, contrast, and toning, and then save those to a handy file. Then imagine you can have unlimited variances of these, and apply them to any photo with a click of the mouse. Welcome to Lightroom’s presets! Photographers around the world share these online as well, giving you limitless potential options for your photo’s look and feel.

Lightroom’s weaknesses

  • No advanced editing tools – because Lightroom wasn’t intended as a full-on raster editor, most of the editing functions Photoshop users take for granted are not present here. With the exception of a few basic tools, you’ll want to use Photoshop in situations where heavy image editing is necessary.
  • No layer management – the powerful layer system in Photoshop is non-existent as well. Effects and modifications can be stacked on an image, but there is no real separation of image segments or any ability to use blending modes.
  • Photos only – again, Lightroom is intended as a workflow system for photographers, meaning you’ll only be able to import existing photos and modify them; there are no raster or vector image creation tools to be found here as there are in Photoshop. Lightroom is assuredly one-track minded.

Creative Cloud and pricing models

Up until fairly recently, Photoshop would have had one additional disadvantage compared to Lightroom, and that would be price. In the past, purchasing Photoshop could set you back $400 to $900, depending on the version and any discounts you could use. Comparatively, Lightroom could be had for less than $100. The huge up front cost made buying Photoshop outright a financial strain for budding photographers on a slim budget.

Those days are gone, thanks to Adobe’s awesome cloud and subscription program. As of the last release, all of Adobe’s main products have been converted to cloud-based programs and are all rooted in the new Creative Cloud subscription model. Generally, $20 per month will give you unlimited access to one Adobe title, such as Photoshop or Lightroom, and ample cloud storage, enabling you access to your files regardless of where you were. $50 per month will give you access to Adobe’s entire Creative Cloud suite, which is quite a deal.

This year, however, Adobe unveiled their Photography Program, and if you haven’t already gotten involved, you might want to take a look. For less than $10 per month, Adobe gives you Photoshop CC AND Lightroom CC, along with the aforementioned cloud storage. It’s an unbeatable deal, and eliminates the need to pick and choose which image program to use.

Which one is right for you?

Since pricing is no longer an issue, the choice as to which program to use for your photography work comes down to what is most important to you.

Use Lightroom if…

You value a smooth clean workflow more than infinite control over the editing of your images. Having said that, Lightroom is no slouch when it comes to processing photos, and you can recreate almost any look using the controls available to you in this software.

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The presets provide an endless array of styles, and thousands more are available on the internet. Lightroom’s clean, efficient interface will allow you to process those multiple wedding or portrait shots quickly and consistently, and make managing all of those photos simpler than you could have imagined.

Use Photoshop if…

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You need more control over your images. Photoshop can do it all, but of course the cost of that is a higher learning curve. Quick presets are not what the program does best; instead, it offers complete image editing with masks, layers, and a multitude of other tools, giving you all of the options you could ever need.

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At the end of the day…

BOTH titles can be an integral part of the post-processing workflow. Like anything else they both have strengths and weaknesses. Fortunately, with Adobe’s wonderful new Creative Cloud subscription model, you can enjoy both programs, and employ the advantages of each within your workflow, without breaking your bank.

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For more information and tutorials on both programs check out these dPS articles: