Does Adobe Photoshop Works For Mac
Adobe Systems Inc. today will unveil one of the most important applications for Apple's newest operating system. The business world was able to hop on board the OS X bandwagon last November when Microsoft released Office v. X, but now the creative community can soon join the converts with the announcement of Photoshop 7.0.
Have just purchased Adobe Photoshop Elements 8 for my new MacBook Pro. Have previously used Photoshop Elements 6 on an IBM platform to produce family slide shows of our holidays, complete with soundtr. Posted in Adobe Creative Cloud, Adobe Illustrator, Adobe InDesign, Adobe Photoshop, Adobe Photoshop Lightroom, Adobe Premiere Pro, macOS and tagged Adobe Illustrator, Adobe InDesign, Adobe Photoshop, Adobe Photoshop Lightroom, macOS, Sierra on September 25, 2017 by conrad. Windows server change auditing tool. Free trial available. Track logon/logoff. Audit AD FS, AD LDS, LAPS, printers, and more. Meet security and compliance. As regards the Windows key working on Mac OS - unless they've changed recently it won't. Adobe don't allow cross grades without a signed Letter. Create and enhance your photos, images, and designs with Adobe Photoshop CC, the world's best imaging and photo editing software. Creativity & Design. Our graphic design software offers a complete set of professional photography tools to turn your snapshots into works of art. Adjust, crop, remove objects, retouch, and repair old. Oct 28, 2013 Does Adobe CS6 work with Mavericks DP1? Discussion in 'OS X. One of the longest and most heated threads in the Adobe Photoshop forums was some sort of problem where PSD thumbnails failed to render in OSX. Adobe said basically 'Apple wanted them to do things a certain way' and if the thumbnails did not render then it was a Mac OS bug. Hi Robin, Photoshop CS5 will install and run on 10.10 (but you do have to install Java (JRE) which was used for CS Live services in CS5). OS X will prompt you to visit a webpage to download the JRE for 10.10.
Photoshop 7.0 adds new features and, of course, a new Aqua interface, but it's still the same familiar application that the creative professionals know and rely on to make a living.
Of all the new features in Photoshop 7.0, perhaps the best is the new Healing Brush. The Healing Brush is designed to clean-up images by removing dust, scratches, blemishes and wrinkles often found in images. What's different about the Healing Brush is that it will automatically preserve shading, lighting, texture and other attributes when cloning within one image or from one image to another.
The Patch Tool lets you be even more precise by working with selections. You can use any of the basic selection tools, including channel operations, to first define your selection. Photoshop will then automatically heal the area defined by that selection while matching the lighting and shading of the sampled pixels to the source pixels.
MacCentral had the opportunity to meet with Gwyn Weisberg, Photoshop Product Manager, recently at Adobe's headquarters in San Jose to get a hands-on demonstration of these and other new features in Photoshop 7.0. The Patch Tool and Healing Brush worked so seamlessly, I actually had to ask her to do the demo again. Wrinkles and age lines in a photograph of a man's face simply disappeared using these tools while maintaining all realistic shading and lighting of the original picture. I even picked out different spots on the picture for her to 'heal'; all were done with a click of the mouse.
I found similar results using a turn of the century looking picture -- scratches and tears in the middle of the photograph would normally render it useless or in need of a lot of work. The Healing Brush and Patch Tool fixed up the different areas of the photograph almost instantly.
While currently a part of Photoshop Elements, the File Browser is also new in Photoshop 7.0. 'The File Browser is a way to visually work with, organize, sort and manage the digital images and files you have on your system,' Weisberg told MacCentral.
The File Browser also includes metadata such as date created, date modified and EXIF (Exchangeable Image File) information from digital cameras. With the File Browser you can rotate, batch rename, rank, sort and change your files as well as manage image folders.
The File Browser consists on four panes: the tree view, for navigating folders and disks containing your images; the thumbnail pane, which displays thumbnails of the image files within a selected folder or disk; the preview pane, which displays a selected image larger than the thumbnail pane view; the metadata pane, which provides information about a selected image beyond what's displayed in the thumbnail pane.
In addition to organizing your photos, the File Browser also allows you to add a ranking to your images. Within the File Browser, you can invent your own ranking system for easily identifying and grouping images. For example, you can create a ranking for each file, such as 'Proof' or 'Final,' then sort by those rankings to differentiate which images have been approved and which ones have not.
ImageReady 7.0 is included with Photoshop 7.0. With an enhanced Web output Photoshop and ImageReady now let you make Web page elements transparent by clicking on the color you want to knock out. You can remap more than one color at a time and restore colors to their original settings. When optimizing images for the Web, you can reduce overall file size by giving the areas you want to emphasize -- vector art or text -- a higher quality than other image areas. You can also preview and save for Web in WBMP -- a format used for displaying images on PDAs and wireless devices.
There are other new features in ImageReady 7.0 including the ability to manage rollovers. With ImageReady, you can see all the slices, rollovers, image maps and animations of a document in one place, the new Rollovers palette. ImageReady also includes a new Selected state that allows you to create Web pages that include simultaneous rollover effects without having to hand code JavaScript.
With Photoshop you can customize commonly used tools and save your preferred settings as a new tool for easy recall. You can also customize and save your workspace for the different types of projects you are doing in Photoshop. 'With the increased customization, you can setup your workspace so it is more efficient for the work you are doing,' Weisberg said.
Although Photoshop has included color correction tools in the past, the new version enhances this feature with a new tool called Auto Color Command, which provides even more reliable color correction than before, according to Adobe.
Photoshop 7.0 also includes a completely redone painting engine. The new painting engine 'lets you create exceptional imagery that you couldn't achieve before in Photoshop,' according to Adobe. It also allows for more precise control over your work, like taking advantage of a Wacom tablet's pressure sensitivity, including tilt and airbrush thumbwheel features.
You can adjust dozens of settings for brushes including shape, tilt, spacing, scatter, jitter, diameter, texture, shading and other attributes and save those settings as custom brush presets, using the Brushes Palette.
A new Pattern Maker plug-in allows you to make patterns by selecting a section of an image. From your selection, the plug-in randomly simulates a new pattern -- the generated pattern also avoids repetition.
An enhanced Liquify plug-in provides improved image warping control with zoom, pan and multiple undo. Liquify now has the ability to save meshes, so you can work on a low-res image and then apply the saved mesh to a hi-res image later, saving a lot time in the process.
Other enhancements in Photoshop 7.0 include:
Secure images before sharing them -- Photoshop now offers complete support for Acrobat 5.0 security settings, allowing you to add passwords and other protections to Photoshop PDF files before sharing them with others online or adding them to Adobe PDF workflows.
Check spelling -- The new, built-in spell checker allows you to search and replace text, check spelling in multiple languages within the same file and correct spelling on one text layer or across all text layers in the same document.
Save time and money when printing -- Picture Package is designed to help you print multiple images on one page, saving time and printer consumables. You print to different page sizes such as 8 x 10, 10 x 16, and 11 x 17; add labels or text to each image for printing, such as copyright notices and captions; print more than one image per page; and output images as one flattened document or to separate layers.
Integrated with other applications -- Photoshop 7.0 is tightly integrated with other Adobe professional graphics programs for print, Web, ePaper and dynamic media, including Adobe Illustrator, Adobe InDesign, Adobe AlterCast, Adobe GoLive, Adobe LiveMotion, Adobe Premiere, Adobe After Effects, Adobe Acrobat and others.
Compatible with Mac OS 9.1 and Mac OS X, Photoshop 7.0 will ship in the second quarter of 2002 in the United States and Canada, with an estimated street price is US$609. Registered users of earlier versions of Photoshop can upgrade to version 7.0 for $149. Upgrades from Adobe Photoshop Elements and Photoshop LE are available directly from Adobe for $499. For information about other language versions, as well as pricing, upgrade and support policies for other countries, Adobe recommends visiting their Web site.
Macworld.com also has in-depth coverage of Photoshop 7.0 -- for more information visit Macworld's Adobe Photoshop 7.0 story. Macworld Magazine will also have a special feature in its April issue dedicated to Photoshop 7.0.
This story, 'Adobe unveils Photoshop 7.0 for Mac OS X' was originally published by PCWorld.
It’s astounding to me that in 2015 the question of which operating system you should use is still a debate. Many designers find themselves turned down for jobs if they prefer using a PC rather than a Mac. Many designers feel that if they can’t afford a Mac they won’t be taken seriously, so they’ll even invest in buying a used Mac that cost twice as much as a newer Windows PC.
In reality these “marketing optics” do matter to some people, even if they shouldn’t. You will in fact be judged by whether or not you use or own a Mac as a Graphic Designer. There is a reason, it’s not a practical one… (in my opinion) but it is a reason. Tradition.
The History of Macs and Graphic Design
In my opinion, the bias towards using Macs today is based on the long-standing history and tradition of Graphic Designers using Macs. It has no technical basis (currently in terms of performance and hardware), since Apple moved to using 3rd party components from Intel and other companies.
Adobe has gone on record via their Adobe Hardware Performance Whitepaper to point out that the performance of their software comes down to specs, not operating system. So there is no real evidence for the old saying “Adobe software runs better on Mac.” Photoshop, InDesign, Illustrator etc were not designed to perform better due to OS preference.
Digital Typography was Born on the Mac
In the early days of Graphic Design and Digital Typography (early 1980s) the Apple Macintosh was the first computer to truly allow for Digital Typography. Susan Kare was a pioneer in this field.
Adobe Photoshop Was Born on the Mac
Over 25 Years Ago (1988) John and Thomas Knoll built the first version of Photoshop on a Macintosh Computer, because it was essentially the only computer with a color display and the capacity to handle the program they were building. It was released exclusively for the Mac in 1990 (a Windows version followed over two years later). The Knolls pitched Photoshop to two companies in Silicon Valley, Adobe and Apple… the rest is history.
So What Does That Have To Do With Mac vs PC?
The reason many designers gravitate to buying a Mac and are looked down on in the industry if they don’t is mostly a matter of tradition, not substance. Most people who have been in the industry with 20 years or more of experience have a preference for Mac, because for a very long time it was the only option, and in their minds it still is. Apple has been good to them and good for their careers and they know it works, so they remain loyal.
This culture has been handed down to their “disciples”, because they respect the experience of their mentors and then it becomes their experience as well, and the cycle continues.
You also have to remember that until recently, technology was a mystery to the people using it. Most computer users no matter how intelligent, didn’t have a clue about how things work under the hood, many still don’t. They just know how to use them to get their job done.
Mac vs. PC Today in Graphic Design
Due to changes in how users understand and relate to technology there are many graphic designers today who use Windows-based PCs to get their work done. I use both Mac and PC myself and see very little difference in my ability to get my work done if both machines have similar hardware.
Part of the shift is that many designers also are gamers or video editors and want to take advantage of the ability to customize their hardware and get more power for the price, something they can’t easily do with a Mac.
As a result, more designers are dropping the bias towards Mac, having experienced a certain degree of freedom in choosing what components and hardware they use, and having more options based on their budgets.
Photoshop Adobe For Mac
Legitimate Reasons to Prefer a Mac:
Of course, there are legitimate technical reasons why some people should choose a Mac for their design workflow. Here are a few.
- Using Thunderbolt 2 for large file transfers or connecting to 4K monitors, especially when using laptops
- Integrating a workflow that uses other Apple devices such as the iPad and iPhone.
- You’re a Motion Graphic Designer that uses Apple Motion and Final Cut Pro in addition to your Adobe applications.
- Operating System preference for usability and minor features.
Legitimate Reasons to Prefer a Windows PC:
Likewise, here are some important reasons you might opt for a PC.
- Windows Computers cost dramatically less for the same performance specs, particularly in laptops.
- Access to Windows-only productivity and business software.
- System compatibility with your business clients, especially if they are outside the creative services industry (90% Windows Users).
- The ability to upgrade and customize hardware to specific needs.
- You’re doing high-end animation or video production in addition to design and need to leverage multiple hard drives and graphics cards in your workflow.
- Operating System preference for usability and minor features.
In The End It’s a Matter of Preference
Ultimately, it’s up to each person to choose the tools they feel help them get their job done and will be reliable. Quality tools are quality tools regardless of the brand.
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Those of you who are photographers in your spare time may remember there are similar debates between Canon and Nikon users, but at the end of the day you can’t tell if a picture was shot on one or the other just by looking.
The same is true of design work. The “Real Designers Use Mac” argument dies the moment you are shown quality work, regardless of what device was used in its creation.